Small Town. Big Stories.
Take a group of young lives in northern post-industrial Britain, tantalising glimpses of a better future, and a killer soundtrack. What you have is a more contemplative Trainspotting for the small screen, and a reminder of the greatness and beauty in the 'everyday' when it's told by the people living it.
In this
age of box sets and binge-watching, it felt a bit old-school to hold out
recently until 9pm every Thursday on BBC2. I can’t remember the last time I
felt this way about television, so I’ll miss The Mighty Redcar
now that
it’s reached the end of its 4-week run.
Before I go on, and for reasons of transparency, I should make it clear that I grew up outside Middlesbrough so will always feel fiercely loyal towards this area. But it could have equally been The Mighty Workington, Cleethorpes or Ilfracombe, and I’m sure that in the hands of the same filmmakers (72 Films) I’d still have loved it.
There’s nothing new about the story of a coastal town that has seen better times. However, in The Mighty Redcar our narrator is a local teenager (Madison Cooper, pictured above) who guides us through life in the one-time seaside resort as experienced by her generation. It doesn’t shirk from crime, food banks or unemployment but it doesn’t dwell on these either, instead showing young people trying to make something of their lives with the help of local community leaders, business people, parents and all-round good samaritans. Their stories were punctuated by a mixture of footage that contrasted between derelict industry and stunning aerial shots of Redcar’s coastline, and peppered by some of the finest music to have emerged from the 1980s.
There’s been a positive response not just from the TV critics but also Teessiders who have long seen their region cast in a negative light by the national media. The consensus seems to be that The Mighty Redcar has been the antidote to those ‘reality’ programmes claiming to represent so-called ‘benefits Britain’. Yes, the north east has more than its fair share of issues, but programmes like this give back regions and their people a sense of dignity and worth.
I've always been a great believer of 'greatness in the everyday' and The Mighty Redcar had it in spades. Consequently we followed the lives of real people with very human stories to tell, trying to get on in life like the rest of us – just in a different town and different set of circumstances. For this reason, and better than any soap opera, the people of Redcar were a cast we found ourselves rooting for such as troubled teenager James, genuinely wanting for a better life but held back by circumstances and a life of petty crime.
In an era when there's so much TV you might simply become numbed by it all, this was moving and powerful stuff. The frequent shots of the town's railway line were a metaphor for escape - one which some of the people featured took advantage of - but the series concluded on an upbeat note. The Mighty Redcar had a prevailing sense of dogged pride running through it like a stick of seaside rock (the programme's title says it all), and I hope that this kind of storytelling goes beyond being great TV and gives the town some sort of optimism for the future.
I really hope we get to go back too.Image: Madison Cooper, narrator of The Mighty Redcar (Middlesbrough Evening Gazette)










